Contents
Preface: Starting somewhere synopsis
Gail Priest
1 Setting the scene: Developments in Australian experimental music since the mid-1990s synopsis
Julian Knowles
2 The lost decade: Post-punk experimental and industrial electronic music synopsis
additional material
Ian Andrews, in consultation with John Blades
3 Cultural terrorism and anti-music: Noise music and its impact on experimental music in Australia synopsis
Cat Hope
4 ‘Copyright doesn’t mean shit to me’: Sampling and appropriation in Australian experimental music and sound art synopsis
Shannon O’Neill
5 Part 1: The emergence of popular unpopular electronic music
Gail Priest, with contributions by Sebastian Chan
Part 2: Clan Analogue and the art of cooperation synopsis
Bo Daley
6 Resonances in the machine of thought: Computational processes in experimental music synopsis
Alistair Riddell
7 Networks, playfulness and collectivity: Improv in Australia 1972–2007 synopsis
Jim Denley
8 Written in air: Experiments in radio synopsis
Virginia Madsen
9 Musicians and boffins, tinkers and dreamers: Experimental musical instrument building in Australia synopsis
Sean Bridgeman
10 Sounding sight, space and bodies: A survey of mixed media explorations synopsis
Gail Priest